A while back, my good friend Annie Bacon got an idea while on vacation, and during the next six weeks, shaped it lovingly into an operatic work of art. It is a piece which is both funny and tragic, compassionate and sublime, and speaks to us of the fragility of our time on this earth. It is astounding in it’s selection of memorable songs and characters, and I believe has all the ingredients of a hugely successful Broadway play. The problem for Annie and her Folk Opera is the placing of this gem in the right hands in New York or Hollywood, so it can be transformed into a well deserved production the masses can thoroughly enjoy.
Here is a delightful video of the music of the Folk Opera, as performed aboard my beloved Barkissimo this past July. The songs will glue themselves to your brain’s musical pleasure centers, and you will find yourselves deeply caught up in the story (once you figure out the characters, that is), riding the emotional waves of the characters as the opera delivers each delicious course of the sumptuous plot.
To make the characters easier to grasp quickly, I’ll help you out. The lady on the left of your screen (Elizabeth Greenblatt) is Elizabeth, who is having car troubles, and finally finds a mechanic in the small town she escaped from as a teen. She had not returned since then, and now is charged with the care of her aunt Sarah (played by violin virtuoso Savannah Jo Lac, screen right), who is plagued with senile dementia. Elizabeth has to take her elder back to the town where they both once lived while the car is to be repaired. When they arrive at the repair shop, they find it deserted. Elizabeth takes her aunt to the town’s diner (a gathering place for the community), owned by the waitress Rita (The effervescent Annie bacon, with ukulele resting on her baby bump).
Once seated with her aunt in the diner, Elizabeth and Sarah notice an old man (sung by Joel Dean, center screen) staring at Sarah as if he’d seen a ghost. While he tries to talk to aunt Sarah, Elizabeth telephones the mechanic (also sung by Joel Dean). The other voices are those of the townsfolk, and from there, you will be able to easily enjoy the beautiful story as it pulls your heart strings to and fro.
So why am I sharing this? Not only do I think it’s one of the most beautiful and creative works I’ve ever experienced, I also have great confidence in the networking ability of you, your friends, their friends, and the internet, and I am confident that this amazing work will soon find the right person; one who will have the resources and power necessary to turn the Folk Opera into the next winner of a boat load of Tony awards. So please help a friend out and send this to everyone in your list of contacts, and know that your effort will soon get this work of art turned into something we can all be proud of.
Please click on the link below to see this very special video, or read on and click the same link at the bottom of the post…
Annie Bacon\’s Folk Opera, featuring Savannah Jo Lac, aboard Barkissimo
Below is a recent review of the Folk Opera by San Francisco based writer Geoff Bouvier:
Announcing The Folk Opera, from San Francisco-based musician Annie Bacon
Written and composed on the ukulele during a 6-week trip on two distant continents, recorded live at The Tower Studios in SF’s Mission District, and released digitally and on vinyl in December, 2010, Annie Bacon’s The Folk Opera is an extended musical suite written for ukulele, upright bass, fiddle, trumpet, and multiple voices.
With its haunting and simple melodies, beautiful soaring harmonies, interesting song forms, and captivating folk and bluegrass rhythms, The Folk Opera brings an entirely new sound to the Americana and world music scenes.
Described by various delighted listeners as a diverse and eclectic cross between A Prairie Home Companion, Neko Case, Thornton Wilder’s “Our Town,” traditional American folk musicals such as “Oklahoma,” Jeff Darnielle, Patty Griffin, and Bob Dylan’s “Pat Garrett & Billy the Kid” Soundtrack, Annie Bacon’s The Folk Opera is, in fact, a musical world unto itself, with few, if any, antecedents in musical history.
In just over a year and fewer than 20 performances, The Folk Opera has achieved a grassroots following so dedicated that the live recording sessions were fully funded by donations from avid fans. Mixed and mastered by ex-Fantasy Records staff engineer David Luke (who worked with Jefferson Starship, Mike Marshall, and The Grateful Dead, among others) The Folk Opera translates equally well to recorded media as it has to the live stage.
Featuring some of the Bay Area music scene’s most up-and-coming stars, the recording and live show highlight Joe Lewis on the upright bass, Elizabeth Greenblatt singing the lead character, Joel Dean vocalizing the Old Man and the Mechanic, Savannah Jo Lack giving voice to Aunt Sara and playing fiddle, and Annie Bacon herself, playing the ukulele and singing Rita, the waitress.
The catchy, toe-tapping songs are memorable after only one hearing, the characters are so indelibly drawn, you’ll feel like you know them, and the story – tracing the events of a single afternoon that expand into life-changing moments for a few different people in a small town – is as timeless as classic literature. Described by reviewers as “transfixing” and “almost indescribably poignant and beautiful,” The Folk Opera is a comedy, a tragedy, and a love story. It will make you smile, and it will likely make you cry. And in the meantime, you’ll want to sing along and maybe even get up and dance.
For more information on Annie Bacon’s Folk Opera, please visit http://anniebacon.me/Annie_Bacon/Folk_Opera.html.
For booking, sales, and other information, please contact Annie Bacon at anne.bacon@gmail.com.
Annie Bacon\’s Folk Opera, featuring Savannah Jo Lac, aboard Barkissimo
















